In this Frank Zappa passion project, Ringo plays “Larry the Dwarf,” a bewigged narrator who looks a lot like Zappa. The film is also notable for its soundtrack, featuring the Beatles-esque Badfinger song “Come and Get It,” written and produced by Paul McCartney. Fans of Monty Python take note: Graham Chapman and John Cleese provide additional material, and both appear briefly in the pic. (Spoiler alert: very, very far.) It’s Sellers’ show, but Ringo holds his own in a role not far from his laid-back, Beatles persona. Together, they conduct a series of anarchic, borderline sadistic social experiments to see just how far people can be manipulated and degraded for money. Ringo’s next was another Terry Southern satire, this one starring Peter Sellers as a wealthy, childless businessman who adopts a homeless lad (our man Ringo). Candy features a star-studded cast that includes Marlon Brando, Richard Burton, James Coburn, John Houston, Walter Matthau, and John “Gomez Addams” Astin. The ethnic jokes, such as they are, haven’t aged especially well, but it’s fun to see Ringo this far from his Liverpudlian roots. ![]() Strangelove) and adapted by Buck Henry ( The Graduate), Ringo plays Emmanuel, a Mexican-American gardener who briefly loves - and quickly loses - the free-spirited title character. His films outside the Fab Four range in quality from “underappreciated cult classic” to “unforgettable mess.” But each is worth checking out - if for no better reason than to celebrate Ringo’s natural charm and willingness to engage in the delightfully weird.Īfter sharing the screen with his bandmates in A Hard Day’s Night (1964), Help! (1965) and Magical Mystery Tour (1967), Ringo’s first solo film was also his first opportunity to portray a character not named “Ringo.” In this taboo-breaking satire based on the novel by Terry Southern ( Dr. Ringo Starr also recently revealed that the Beatles turned down a reunion concert in 1973.Was it fate that inspired Ringo to sing “They’re gonna put me in the movies/They’re gonna make a big star out of me” in The Beatles’ 1965 cover, “Act Naturally?” Or did he somehow sense, even then, that film would become a big part of his professional life after The Beatles parted ways? This despite the fact that Ringo had no formal acting training - but then again, he had no formal musical training either, and that didn’t stop him from becoming one of the world’s most beloved rock drummers. As a human being, he’s wonderfully quick and funny”. “So I just don’t think seen it for a long time. Because when I saw it last, I’m thinking, ‘What is he talking about?’ In fact, there’s great joy and connection and collaboration, and good times and jokes and affection in Let It Be”. The director also added, “And I think, if you haven’t seen the movie in a long time, and you may not have the best memory in the world, all that kind of gets mixed up in your brain about what it was like. And I don’t think he’s seen the movie for 50 years”. I mean, the polite version is everybody’s got elbows and everybody’s got opinions. “Personally, I don’t care”, Lindsay-Hogg said of Starr’s comments. “I don’t care” – Lyndsey-Hogg on Starr comments You don’t always have a smile on your face when you’re trying to work something out. “And through much of the picture, they’re happy and they’re trying to work things out. ![]() ![]() They realise, wow, we’ve been missing this”. Starr also criticised the 1970 film for including just “seven to eight minutes” of the Beatles’ live show on the Apple Corps rooftop in 1969, the band’s first live gig in four years.ĭescribing the show as “magical”, Lyndsey-Hogg added, “And they’re having such a good time. “I didn’t feel any joy in the original documentary, it was all focused on one moment which went down between two of the lads (McCartney and Harrison)”, Starr had said. Speaking back in March, Ringo Starr described the Let It Be documentary “too miserable”.
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